This ethnographic research, carried out in the center and town of Kennedy de Bogotá, focused on analyzing and understanding the construction of a new youth citizenship and counter-hegemonic political identity that is beginning to weave within the Hip Hop movement in Bogotá. Social-artistic movement with intergenerational diversity and unique artistic practices (Rap, Break Dance and Graffiti), characterized by dynamics such as self-management, textile-music entrepreneurship, self-sustainability and the constant use of digital technologies. With which the construction of pedagogical projects, social communication projects and economic entrepreneurship projects and, especially, the visibility of a youth citizenry contrary to that of institutional narratives are possible. Finally, with this research, carried out and located in a context of constant technological interaction, it is possible to know the new connections and youth dynamics that are configured with the help of internet social networks, regional-global connections that allow us to approach the demands and youth political perspectives that are configured in the context of social, economic and cultural precariousness in Latin America.
publication date
September 3, 2021 5:09 PM
Research
keywords
Entrepreneurship culture based on music
Ethnography from the counterculture to hegemony through Hip Hop music in Bogotá
