This work presents a sociological analysis of the political struggles over the construction and preservation of the collective memories of women who are victims of violence, specifically, women that took part in the Cuerpos Gramaticales (CG) performance in Bogotá, between 2016 and 2018. A qualitative methodological search was made, which used methods of analysis of archives and repertoires. Recording archives, photographs, interview and academic investigations were studied, and the repertoires that emerged from semi-structured interviews and from participatory observation in two performances were analyzed. It was found that the CG performance is a bond of micro-stories from the memory of the subaltern women, who come together to create a political action. This research concludes that the women who belong to the CG group develop their political struggles for the recognition and preservation of their collective memories, from group cohesion and the creation of interpretative frameworks of those memories, which enable self-reflection and political construction from the experiences and the exploration of shared pain.
